Special Offer
$20 tickets to Two Othellos!
Champagne reception included!
See Doug Elkins,"one of the most musical, witty and inventive choreographers of his generation" (New York Times), at ADI and attend the champagne reception!
Time left to get this special offer: Offer No Longer Available
When? May 05, 2012, 7:30 PM - May 06, 2012, 2:00 PM
Where? American Dance Institute, 1570 East Jefferson St. , Rockville, MD

Two offers exclusively for Pink Line Project Fans!
- $20 tickets to the Saturday evening, May 5 performance with a champagne reception!
- $12.50 tickets to the Sunday matinee, May 6 performance
Visit: https://web.ovationtix.com/trs/cal/31725 and enter: ADI PINK or call the box office at 866-811-4111 and mention code: ADI PINK.
Ballet ADI & Doug Elkins Choreography, Etc.
Two Othellos: Ballet ADI’s Othello and Mo(or)town/Redux
May 5 at 7:30p and May 6 at 2:00p
Two dance companies + one Shakespearian tragedy = a night of dance you will never forget. For two performances only, ADI presents an evening of Othello featuring a new modern dance reconstruction of the Shakespearian play by critically acclaimed choreographer Doug Elkins juxtaposed against a balletic retelling of the evocative tale of power, love, jealousy and race by Ballet ADI Artistic Director Runqiao Du.
Doug Elkins Choreography, Etc. Mo(or)town/Redux
Choreographed by Doug Elkins in collaboration with the dancers | Musical Soundscape by Justin Levine and Matt Stine
Music Direction by Justin Levine | Dramaturgy by Anne Davison
Cast: Alexander Dones, Cori Marquis, Donnell Oakley, Gregory Omar Osborne
With Mo(or)town/Redux, Doug Elkins returns to a movement conversation begun in 1990 with Shakespeare’s Othello and Jose Limon’s seminal The Moor’s Pavane. Like Limon, Elkins transforms the text of Shakespeare’s tragedy into a dance piece for four characters – Othello, Iago, Desdemona, and Emelia – and the simple prop of a handkerchief. Using music of the Motown and neo-Motown sound, Elkins explores themes of power, love, jealousy, and race that are so prevalent in Shakespeare’s play and the history of Berry Gordy’s Motown record label.
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